Thursday, September 8, 2016

SuryavarmanII

SuryavarmanII01.JPG
King of the Khmer Empire
SuryavarmanII
Reign 1113-1145/1150
Predecessor Dharanindravarman I
Successor Dharanindravarman II
Born 11th century A.D.
Angkor
Died 1145/1150
Angkor
Full name
Suryavarman
Posthumous name
Paramavishnuloka
Father Ksitindraditya
Mother Narendralakshmi
Religion Vaishnavism (Hinduism
Suryavarman II (Khmer: សូរ្យវរ្ម័នទី២) posthumously named Paramavishnuloka, was a Khmer king of the Khmer Empire from 1113 AD to 1145-1150 AD and the builder of Angkor Wat, the largest religious monument in the world which he dedicated to the Hindu God Vishnu. His reign's monumental architecture, numerous military campaigns and restoration of strong government have led historians to rank Suryavarman as one of the empire's greatest kings.
Early years
Suryavarman appears to have grown up in a provincial estate, at a time of weakening central control in the empire. An inscription lists his father as Ksitindraditya and his mother as Narendralakshmi. As a young prince, he maneuvered for power, contending he had a legitimate claim to the throne. “At the end of his studies,” states an inscription, “he approved the desire of the royal dignity of his family.” He appears to have dealt with a rival claimant from the line of Harshavarman III, probably Nripatindravarman, which held sway in the south, then to have turned on the elderly and largely ineffectual king Dharanindravarman I, his great uncle. “Leaving on the field of combat the ocean of his armies, he delivered a terrible battle,” states an inscription. “Bounding on the head of the elephant of the enemy king, he killed him, as Garuda on the edge of a mountain would kill a serpent.” Scholars have disagreed on whether this language refers to the death of the southern claimant or King Dharanindravarman. Suryavarman II also sent a mission to the Chola dynasty of south India and presented a precious stone to the Chola Emperor Kulothunga Chola I in 1114 CE.

Suryavarman was enthroned in 1113 AD. An aged Brahmin sage named Divakarapandita oversaw the ceremonies, this being the third time the priest had officiated coronation. Inscriptions record that the new monarch studied sacred rituals, celebrated religious festivals and gave gifts to the priest such as palanquins, fans, crowns, buckets and rings. The priest embarked on a lengthy tour of temples in the empire, including the mountaintop Preah Vihear, which he provided with a golden statue of dancing Shiva. The king’s formal coronation took place in 1119 AD, with Divakarapandita again performing the rites.

The first two syllables in the monarch's name are a Sanskrit language root meaning "sun". Varman is the one who mastered Marmakala (Ancient defense practice) or otherwise the traditional suffix of Indian kshatriyas that is generally translated as "shield" or "protector", and was adopted by Khmer royal lineages.

Life and reign
During his decades in power, the king reunited the empire. Vassals paid him tribute. He staged large military operations in the east against the Chams, but these were largely unsuccessful.

Inscriptions in the neighboring Indianized state Champa and accounts left by writers in Đại Việt, a Vietnam precursor state, say that Suryavarman staged three major but unsuccessful attacks on Dai-Viet, sometimes with the support of Champa. In 1128 AD, he is said to have led 20,000 soldiers against Dai-Viet, but they were defeated and chased out. The next year he sent a fleet of more than 700 vessels to attack its coast. In 1132 AD, combined Khmer and Cham forces again invaded, with a final attempt in 1138, to no real success. Later, the Cham king Jaya Indravarman III made peace with Dai-Viet and refused to support further attacks. In 1145 AD, Suryavarman appears to have invaded Champa, defeated its king Jaya Indravarman III, and sacked the capital Vijaya. On the Cham throne he placed a new king, Harideva, said to be the younger brother of the Khmer ruler's wife. In subsequent fighting, Cham forces recaptured the capital and killed Harideva.A final expedition in 1150 ended in a disastrous withdrawal.
Angkor Wat built by Suryavarman II
In addition to war, Suryavarman practiced diplomacy, resuming formal relations with China in 1116 AD. A Chinese account of the 13th century says that the Khmer embassy had 14 members, who after reaching Chinese soil were given special court garments. “Scarcely have we arrived to contemplate anear your glory than we are already filled with your benefits,” one of the ambassadors is quoted as telling the Chinese emperor. The embassy went home the following year. Another embassy visited in 1120 AD; in 1128 AD, the emperor conferred high dignities on the Khmer ruler, deeming him “great vassal of the empire.” Problems concerning commerce between the two states were examined and regulated.

The king's reign saw great innovations in art and architecture. He presided over construction of Angkor Wat, the largest temple ever built in the capital, and in many modern minds the ultimate masterpiece of Khmer architecture. Its five central towers evoke the peaks of Mount Meru, home of the Hindu gods. It was resplendent with more than 1,860 carved apsara, or heavenly nymphs, and hundreds of meters of elaborate bas reliefs depicting the Hindu legends and scenes from contemporary life.
Other temples dating to his reign include Banteay Samre, Thommanon, Chau Say Tevoda and, east of the capital, the huge Beng Mealea complex.

Suryavarman married, but no record exists of his wives' names. Suryavarman II was unusual among Khmer kings in making Vishnu rather than Shiva the focus of court religious life. The reasons for this decision are not known. Scholars have long debated whether his association with Vishnu helps explain why Angkor Wat faces west, the cardinal direction with which Vishnu is associated, rather than the common orientation for Khmer temples of east.

Suryavarman II is the first Khmer king to be depicted in art. A bas relief in the south gallery of Angkor Wat shows him seated on an elaborate wooden dais whose legs and railings are carved to resemble naga snakes. On his head is a pointed diadem, and his ears have pendants. He wears anklets, armlets and bracelets. His right hand holds what seems to be a small dead snake—its meaning is unclear. His torso curves gracefully, his legs folded beneath him. The general image projected is one of serenity, and comfort with power and position.

His image is part of a unique and detailed portrait of court life in the Angkor period. The scene's setting appears to be outside, amidst a forest. Kneeling attendants hold over His Majesty a profusion of fans, fly whisks and parasols that denoted rank. Princesses are carried in elaborately carved palanquins. Whiskered Brahman priests look on, some of them apparently preparing things for a ceremony. To the right of His Majesty, a courtier kneels, apparently presenting something. Advisers look on, kneeling, some with hands over hearts in a gesture of obeisance. To the right we see an elaborate procession, with retainers sounding conches, drums and a gong. An ark bearing the royal fire, symbol of power, is carried on shoulders.

Further on in the gallery is a display of Suryavarman's military might. Commanders with armor and weapons stand atop fierce war elephants, with ranks of foot soldiers below, each holding a spear and shield. One of the commanders is the king himself, looking over his right shoulder, his chest covered with armour, a sharp weapon in his right hand.

Death and Succession
Inscriptional evidence suggests that Suryavarman II died between 1145 AD and 1150 AD, possibly during a military campaign against Champa. He was succeeded by Dharanindravarman II, a cousin, son of the brother of the king’s mother. A period of weak rule and feuding began.
Suryavarman was given the posthumous name Paramavishnuloka, He Who Has Entered the Heavenly World of Vishnu. Angkor Wat appears to have been completed only after his death.
A modern sculpture that adapts his court image in the Angkor Wat bas reliefs today greets visitors arriving at the Siem Reap airport. Parasols shelter this image of the king, as they did the real Suryavarman almost nine centuries ago.

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